ANTON LAVEY & THE CHURCH OF SATAN
Article By Nate Freedland
JAYBIRD JOURNAL [October, November, December 1967]
[From The Collection of Butch & Sara Rung]





In existence for only one year, the Church's membership has zoomed to over five thousand members. Nudity is a vital factor in all ceremonies as depicted in our photos of LaVey's temple.


Anton LaVey And His Famed Altar Girl.

In the flickering light of candles, a massive fireplace swings open and winding stairs twist below to a mysterious cellar. The fragrant smoke from incense burners permeates the air. A tall, muscular, bearded figure wearing a richly embroidered robe over a leopardskin tunic raises a sword in one hand and a chalice in the other chants an invocation to Beelzebub, Lucifer and all the other names for Satan.

The pentacle, a symbol of black magic, has been drawn on the black floor, and, in its center is the nude human altar, a creamy-skinned ebony-haired young dancer bent backward over the velvet-covered stand. From the shadows, the Devil's congregation begins an eerie chant.

This weird scene is not some retelling of superstitions from the dark past. It is taking place on a Friday evening in San Francisco, on a prosperous, residential block of California Street.



Wall Decorations In LaVey's Temple--Which Is Also His Home--
Include The Ancient Mace And Sword.
Membership In The Church Is Not Open To Those Who Are Curious.

"Tonight we shall exorcise the shibboleths that exist in each of us," intones the majestically bearded leader of the black ceremony. "You have all prepared by coming costumed as the being you fear most." The speaker is Anton Szandor LaVey, former lion tamer, carnival mind reader and hypnotist, now the chief sorcerer of the Satanic Church which has exploded to a 5,000 membership in just over a year of existence.

"The word 'live' is evil spelled backwards," says Anton LaVey, "and Satanism is the worship of life, not a hypocritical, whitewashed vision of life, but life as it really is, concerned with the fullest gratification of the ego on this plain of existence."

As this frighteningly beautiful ritual draws to a close, the polished, well-educated San Franciscans who make up the Devil's coven may prepare to go on to yet another pagan celebration of the black powers. Because right in the heart of old North Beach, the most sophisticated pleasure strip in the nation, a nightclub billboard announces, "Anton LaVey and his Topless Witches Sabbath." And the nude altar girl for the regular Friday Satanic service will be starring in the mamba snake goddess dance before a packed house a little later.

"Of course there's no conflict in presenting a re-enactment of magic rituals in a nightclub," says Anton. "Satanism belongs where people are having pleasure, not being made to learn false guilts."

So naturally it follows that this newest of Devil's advocates insists that nudism is a prime ingredient in any successful witches' brew. When the 20th century's first Satanic Wedding was held in Anton's cellar earlier this year, the nude altar held its honored place in the center of the pentacle. The television and press cameras shyly turned away.

Is Anton LaVey for real with his devil-worship and magic spells? The question is somewhat beside the point; it's been said that the main difference between a confidence man and a witch doctor is that the witch doctor really believes in the spirits. To succeed at either trade requires a high degree of artistry at practical psychology, and there are a lot of bright San Franciscans who will attest that Anton's magic really works.

One young Satanic convert who used to be on the staff of a nationally prominent evangelist said positively, "Sure, I can do love spells, they're easy. All you need is a couple of swords, a few herbs and the right know-how."

According to Anton, no magician ever reveals his "bag of tricks" and so he doesn't go into too much detail about his magic batting average. But there has been persistent talk about a building he cursed for some reason, and it fell down very nicely. Anyhow, LaVey's most public discussions of the psychological implications of magic make a lot of sense.



"A curse can only work against a person who truly deserves it because of wantonly destroying the tranquility of another's existence," he says. "Black magic has always had a bad name because it was the inquisitors who wrote the books."

To improve black magic's image, Anton is currently preparing a Satanic Bible. Incorporation of his church in the state of California is also in progress.

Anton LaVey is as softspoken and gentle a follower of the Devil as one could imagine. He's also a pretty remarkable guy. He ran away to join the circus when he was seventeen and became one of Clyde Beatty's assistants in the lion taming game.

Until recently, he actually kept a full-grown lion in his house. The lion's name is Togar and it was like a member of the family to Anton's two pretty daughters. Togar used to spend his days chained in the hall as a greeter for the sorcery clients who throng to Anton's office for private consultations. Then he would retire to a cage behind the kitchen. Togar was a favorite of the neighborhood kids, but their parents complained about his roaring at night. However, the police couldn't do anything about it because there was no law in San Francisco against keeping a pet lion.

Then one day Togar got annoyed at being left at home alone and somehow broke out of the cage to maul a bit of the house. He had grown too bad tempered to keep and the San Francisco zoo got a new gift lion.

For the time being, Anton LaVey is making do with a giant Sumatra rat while he shops for another lion cub. Anton's home and temple is truly a work of diabolical art. From the outside, the only way it looks different from the other gingerbread San Francisco houses on California Street is that it's painted a dark brown and has mysterious stained glass patterns covering the front windows.

But inside, it's like the stage set for a Charles Addams cartoon done in psychedelic opulence. Skeletons and stuffed animals compete for the eye with Satanic symbols and vivid demonic paintings by Anton himself. Even the kitchen, which adjoins the lion cage, and the bathroom manage to look like something out of a sorcerer's castle. The bedrooms have giant canopied layouts and there are three secret passages leading down to the basement tabernacle.


In The Interest Of Improving The Image Of Black Magic, LaVey Is Now Writing A Satanic Bible.
Incorporation Of His Church Is In Progress.

The whole place took Anton three years to prepare. It looks like everybody's dream of a fun haunted house when you could retire to a world of the occult. Running merrily through these mystic chambers are a honey-blonde four-year-old charmer and a stunningly dark-haired beauty of fifteen; both girls are presided over by Anton's charming, blonde, mod, go-go wife. The LaVey family seems to provide wholesome living proof that the family that prays together, stays together--even if they are praying to Satan.

All available wall space is covered with bookshelves. Anton has done his homework well: his magic library includes everything from the Egyptian Book of Toth to the works of Victorian black magician Aleister Crowley, with way-stops for Albertus Magnus, the Clavicle of Solomon and several thousand other grimoires.

"Most of these works are of only scholarly interest," says Anton. "It's up to the true magician to contemporize these concepts to a workable standard. Rarely more than once in about 250 years does a true sorcerer write down his important secrets."

This means that LaVey has had to put together his spells and enchantments by trial and error over at least a decade. He was helped by such means as apprenticing himself to a carnival fortune-teller. "I had a lifelong interest in the occult and was always trying to study it." Now in his early thirties, the shaven-headed Anton was born in Chicago of Hungarian Gypsy stock.

In teaching others the proper approach to magic, he says he prefers to impart the proper philosophy and environment and let apprentice sorcerers discover for themselves the fine points of witchcraft.

LaVey notes the booming recent interest in all forms of mysticism. He believes it is part of a "New Dark Age" in which some of the important secrets of the forgotten past will be resurrected. Witchcraft is enjoying a great comeback in Europe, and, as is diabolism, nudity is a vital factor in the rituals of the modern witch.

Naturally, Anton doesn't object to the nude ingredient in the revival of witchcraft. He tends to think that anyone who claims to be practicing only unselfish white magic is being a bit of a hypocrite: "It wasn't the really successful witches and warlocks who got burned at the stake. The true enchantresses like Marie Antoinette and Lucretiaa Borgia were sleeping in royal bedrooms."

For years, before organizing the Church of Satan, LaVey hosted a group called the Magic Circle, which introduced many of San Francisco's brightest talents to occult lore. Among those who attended were novelist Steven Schneck, film-maker Kenneth Anger, ceramicists Dion and Loralee Vigne as well as the celebrated Newark whip-and-leather courtesan, Monique Van Cleef.

The relationship between neurotic fears of demonic possession and off-beat sexual desires is an area that Anton has often encountered as a shamanistic therapist. His approach is to recommend the acting out of repressed eroticism whenever possible. "This will either exorcise the fetishism or at least allow the person to ritualistically come to terms with all parts of his existence and then go forth and live constructively.

His experiences have shown him that many persons who go about being constantly obnoxious and creating turmoil everywhere are really masochists. "These people go through life waiting for somebody to destroy them and every time this wish isn't fulfilled they simply get more frustrated, unlike the healthy masochist who is honest enough to get it out of his system."


Skulls, Tombstones, And Other Items Which Are Usually Regarded With Illogical Fear,
Or Even Horror, Are Used By LaVey And His Adherents.

LaVey avoids the celebrated San Francisco hippie phenomenon. "LSD can expand your consciousness to the point where it's a doormat for sensation," he says. "The magician's approach is to narrow his awareness into a concentrated beam that will enable him to attain his desires from each moment of living."

His version of Satanism is both aesthetically pleasing and sophisticated fun. And it has appealed not to the lunatic fringe of angry malcontents but to quietly successful people who like the idea that magic might give them an extra edge in the struggle to the top.

"Children are natural magicians," says Anton. "There's no atmosphere of dread to true diabolism. A little child might look at a picture of the Devil and laugh because he's a funny man."

In his private sorcery practice he's often called upon to be a sort of incantation consultant. Reently, one woman who was fairly knowledgeable about magic came to Anton with a problem: the aura shapes of the demons Belphegor and Ashmodeus were appearing in her room. It was a "mistaken spell," and LaVey was able to tell her how to achieve the desired results without any unwelcome demonic visitors.

As his Devilish work becomes better known, Anton has been flying around the country for lectures and television appearances. He's been written up in Life magazine, His TV news spots with Togar, during the fight to keep the lion home, flushed out Satanic converts from all over the world. Apparently thousands of students of black magic have been around all this time, just waiting for a focal point of Satanism to emerge. Mail just floods to LaVey now, sometimes addressed with nothing more than "Satanic Church, San Francisco."

"Lucifer really means the light-bringer, a fallen force of freedom," says Anton. "The Devil is always the eternal opponent to an unfairly stratified order; that's why he was so hated by the establishments that wrote the history books."

LaVey claims that the really powerful magicians cast their magic spells within the framework of a working society: "I believe in government and certain parliamentary procedures and police protection." On the other hand, he's convinced that entire nations and political movements have been governed by magic. Rasputin, the mad monk of czarist Russia, and Hitler's well known faith in astrology are two of his examples.

"The Satanic Church is a place you can't wait to get into, and you have to prove you're worthy before you're allowed to enter," says Anton. "It's exactly the opposite of the guilt-ridden dogmas."

Of his wild-animal trainer experiences, he says, "It's a great help in understanding people--the wild beasts have far greater natural force, but people are more vicious."


LaVey Has Said, "The Satanic Church Is A Place You Can't Wait To Get Into,
And You Have To Prove You're Worthy Before You're Allowed To Enter."

He lectures at home every Wednesday and Thursday evening. The topics cover such colorful items as werewolves and the demonic hierarchy. He's an exciting speaker and these talks shouldn't be missed by any aware visitor to San Francisco; they also provide the route to membership in the invitation-only Friday services of the Satanic Church.

Like many another New Satanist, the lovely young dancer who often serves as the nude altar for these services is positive that Anton LaVey has brought new meaning to her life--and a new color to San Francisco: he pops up around the night city in a big, black convertible with his lovely blonde sorceress wife and a few of the topless witches in tow.

Even in the throngs of downtown San Francisco, Anton LAVey always finds a parking space--just like magic. It's probably Satan realizing he's in good hands and taking care of his own.

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